“The Nudist Writer”

underwood_nude_1910sIt should come as no surprise by now that I choose to live my life sans clothing. Naked is my default state. I long for the day when I can be free from the branding of Polo and Ralph Lauren. I only feel myself when I am wearing nothing.

But far more important to me is writing. I eat, drink and breathe storytelling. On many occasions I have gotten out of bed with a plot in my head. From the time I was six, I have been coming up with adventures, and that was thirty-seven years ago. Story matters. As Ursula K LeGuin put it, “We read books to find out who we are. What other people, real or imaginary, do and think and feel … is an essential guide to our understanding of what we ourselves are and may become.”

While Mark Twain famously advised to “write what you know,” LeGuin said, in response, that she writes about dragons because what she knows is dragons. Fantasy storytellers draw from personal experience while adding from the fruits of their imagination. Herman Melville tapped into his experiences on a whaling ship to create Moby Dick. In the same way, I know what it’s like to leave my clothes behind to explore the woods, to search rocky shorelines without a stitch to my name, to socialize without body taboos. I have also experienced the sense of shame imposed upon me by those who would judge my lifestyle as perverse or just plain weird, as have my naked heroes, Xandr and Thelana.

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Nudism informs my writing, even when my characters don’t think the way I do. Shame is a universal trait, and I would be a poor writer to neglect it. But what we wear, or don’t, is a big part of who we are. It is entrenched in our history and religion, and reflects strongly upon our values. A society’s attitude toward the human body speaks volumes about that society. Do they consider themselves a part of the animal hierarchy or apart from it? Do they shun the physical world, and the senses associated with it, or seek a more spiritual reality? Answering these questions provides a fictional world of greater richness and realism.

Having a unique perspective, we are told, is a good thing. But unlike atheism, LGBTQ+ or even, if Fifty Shades is any indication, bondage porn, I increasingly get the sense that nudism is just too different. Time and again, agents have rejected Ages of Aenya on the grounds that the concept isn’t “trending.” When I attempted to advertise my novel via social media, both Facebook and Twitter called the book, with its innocent cover of Thelana, “sex services.” Even Barnes & Nobles shied away from my offer to host a signing event, despite the many racier covers adorning their shelves. It would seem nudity is OK, but only in a sexual context.

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Sex services. Obviously.

It isn’t as though our sense of touch is entirely alien. Who doesn’t enjoy sunshine on their bare skin? A hot shower? Cool bedsheets after a session of lovemaking? Advertisers, all the while, continually use words like “nude” and “naked” to suggest their products are honest and all-natural. Clearly, nakedness is a good thing, and on some deep level we all know this.

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The nude archetype persists in our subconscious. We all wish for the same confidence, strength and beauty embodied by the heroic nude. It is an expression that has been with us since the Ancient Greeks, and continues to this day in the form of the superhero, who is all but nude but for the coloring of the skin, and in ESPN’s celebration of athletes.

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The heroic nude in modern times

We are simultaneously repulsed and attracted by the human form. This dichotomy, I believe, stems from an overemphasis on demographics. Fiction must be placed either in the Children, Adult, or YA sections, and nudity can never fall into any category but porn, because in our modern world nudity = porn. And it should be noted here, that DC’s recent adult comic, Batman: Damned, showcasing Bruce’s penis for the first time, is far from a nudist portrayal, as his genitals are made the emphasis of the panel, existing for no other purpose but to shock.

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Enlightened heroines are expected to wear full plate armor, without so much as hinting at the female shape beneath. This is considered progress, an improvement over the hyper sexualized covers of the 60s and 70s, and likely the reason Thelana isn’t trending. But it is progress leading to a more sterilized world, where neither sex is recognized. Equality could just as well have been achieved by giving the female hero agency, and stripping the male of equal parts clothing. Gone are the gods and heroes of church ceilings and museum walls, the renderings of mankind so proudly and masterfully born of the hands of Leonardo and Michelangelo, and this to me is a tragedy, because in censoring how we portray others, we turn every person into a potential object, a thing to satisfy our most basic urges.

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The modern heroine

This isn’t to say women in chainmail bikinis are preferable. On the contrary, Brienne of Tarth, and Netflix’ She-Ra, is a welcome change. What I am saying, rather, is that a woman need not be objectified, regardless of what she is or isn’t wearing, and that we need not choose between our sexuality and our humanity. In our current MeToo generation, we pretend to have matured beyond smut, while creating secret identities to wallow in the worst of PornHub. Instead of learning to express our desires in meaningful, honest and healthy ways, or reaching out to better understand the opposite sex, we have chosen to don the facade of robots devoid of passion. This societal schism, this partitioning of people into categories, cannot lead to a better world. More than anything, we need the heroic nude, our David and Heracles, our Mowgli and Tarzan and John Carter and, dare I say, our Xandr. We must embrace role models that embody the full gamut of what it means to be human, sexuality and all.

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Fantasy covers of the 70s

I am a nudist and a writer, and my fear is that I will be pigeonholed, that my work will be confined to an esoteric niche group. After all, we don’t typically call people gay writers, or Catholic writers, or Japanese writers—or by any other aspects of their identity—unless that identity becomes a focal point of their work, “feminist writer,” for example. Still, nudism is far from a fetish. It addresses a much broader spectrum that includes feminism and environmentalism, and it speaks to our most revered cultural values. While you may not see Sam Harris or Jordan Peterson debating the merits of nudism any time soon, it should be noted that they both conform closely to societal norms, of not simply wearing clothes, but wearing very specific types of clothing. Whether it’s President Trump or Barack Obama, Ken Ham or Neil deGrasse Tyson, ties and jackets are mandatory if one is to take your arguments seriously. This only goes to show how entrenched body taboos have become in our world. But while my upcoming second and third novels will have no naked heroes in it, to shy away from calling myself a nudist would betray everything I am, and rob the literary landscape from a rarely heard voice. Like Benjamin Franklin, Walt Whitman and Robert Heinlein, all of whom shared nudist proclivities, I stand outside of convention, and challenge the status-quo. I am Xandr standing at the gates of Hedonia, calling out against hypocrisy, searching for the lost innocence of Ilmarinen.

The Cloud Breaker

Who doesn’t love airships? I know I do! The Cloud Breaker features prominently in my upcoming book, the second in the Aenya series, The Princess of Aenya. Again, I worked with my excellent Ukrainian artist, Alexey Lipatov, to help make the Cloud Breaker a reality.

Unlike many other flying fantasy ships, I tried to add an element of real-world physics to the Cloud Breaker. This is something I have long strived to give my world, to write sword & sorcery & sandal fantasy, while still acknowledging the parameters of science. With that in mind, I base the Cloud Breaker’s flight capabilities on hot air balloons. Two burners create a draft of rising air, which in turn inflate a special light-weight material, whisper-fabric, which is known only to those of the avian race. Could it work in reality? Probably not, at least not with regards to the weight ratios between hull and sail- volume, but even hard Sci-Fi will sometimes run into problems of plausibility.

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HISTORY: The Cloud Breaker was built by the people of Yefira, who have a long history of experimenting with aircraft. Ages ago, they learned to take advantage of the region’s powerful wind currents, fashioning windmills, giant-kites, and short-distance gliders called “whirlydinghies”. The Great Chasm, which splits the planet into two hemispheres, provides a perpetual updraft for increased lift while traversing the rift.

The Cloud Breaker is the biggest ship ever to be built by the Yefirans. It is captained by Davos and his mate, a clipped avian named Krow. In calmer winds, the Cloud Breaker sails the waters of the Potamis, the life-giving river of Aenya, along which Davos trades goods from throughout the north-western territories of the world.

STORY: Crossing above and beyond the Crown of Aenya Mountains, to the north pole, the crew of the Cloud Breaker discovers the ancient city of the Zo, Mythradanaiil, known by its citizens as Tyrnael. What Davos uncovers in that fabled land will alter his life, and the future of his people, forever.

Be like Davos! Discover the world of Aenya for yourself! Get Ages of Aenya NOW at www.nickalimonos.com!

 

D&D in the Faerie Tale Kingdom

As I’ve focused my attention away from The Writer’s Disease, I’ve been spending more time on gaming with my kids. Aside from family, my chief love remains storytelling. If I could not write books, I would make screenplays for TV or movies. Barring that, I could settle for a good campfire.

Story gives life meaning. It defines who we are, what we believe, and provides an answer to the deepest questions of existence. History, religion, even the memories we have of our own lives, is little more than the stories we tell ourselves. Before YouTube, Netflix or PS4, there was fire, and the images our minds formed from the heart of the flame. Playing D&D with the family is a continuation of this old age tradition, and it beats any other entertainment medium IMO, because other mediums lack the human connection that comes from sitting face-to-face with your storyteller.

If much of this sounds grandiose, my apologies, poetic license is a bad a habit. On a more down-to-earth note, I am learning the ways of YouTube, how to stitch audio and video together to give my fans more Aenya-related content in a new way, and so that I may reach out to those unfamiliar with the Aenya-verse. The story below may also, in a loose way, serve as inspiration for upcoming novels. It is a bit long for YouTube, admittedly, but it recounts our seven months of gaming. Enjoy!

 

Lilliea and Rose Mathonway continue their adventures through the multiverse in the Faerie Tale Kingdom! This is the complete retelling of our seven-month fairytale themed D&D campaign, featuring the fifth setting in the three years I have been DMing for my family and friends. I’d like to give a special thanks to my players: to my two daughters, who play Lilliea and Rose, to my wife, who plays Kalima, and to our closest family friend, Elgy “Mimi” Marie, who rocks it as Sekhmet. I would also like to thank my nephews for their occasional contributions, to Fonda, who gave life to Kraktock, and to Arthur, who shamelessly took on the mantle of Alabaster, daughter of Snow White. Without you guys, this otherworldly experience could not have been possible. I would also like to thank all of the people who’ve contributed art and inspiration to this project.

 

Aenya Newsletter 03/21/2018

Existenz.

Existenz is a 1999 Sci-Fi flick about a virtual reality world much like the Matrix, which happens to have been released the same year as The Matrix. Every morning, I wake up with this word in my head. Existenz. I am not thinking about the movie, however, but the ideas the movie explores, the notion of existence itself. At forty-three years of age, the act of simply existing is beginning to weigh on me. I feel the heaviness of life’s tribulations, and a mountain of day-to-day responsibilities. What concerns me most, is that my life may resemble that of Sisyphus, the Greek king who was punished in Hades, forced to push a boulder up a hill, only to have it roll back again and again for all eternity. What headway am I making in the world? What does it all mean? And what value is there, truly, in becoming known and recognized, given the inevitable cold death of the universe?

Sometimes I wander my neighborhood in the bewitching hours of the night, racked by these thoughts. My blog, I am continually reminded, is aptly named. It is no exaggerating to say that artists suffer. I suppose I should take my suffering with pride. Creativity brings me great joy; it is a conduit through which to explore other worlds. But by the same token, it makes me an outsider. I am like a superhero, like Dr. Manhattan. Nobody can relate. The way I see it, I’ve got another good decade and a half to open the world to Aenya. I want people to visit this universe in my head in the way readers vacation to Middle Earth and Narnia and Westeros and the Wizarding World. With time running out, I’ve decided to give my parents two-years’ notice. Come Hell or high water, I’ll be quitting my pizza job by 2020, to turn my efforts to Aenya and beyond. 2020 is a nice round number, as is 45.

If I am Sisyphus, and the goal is nation-wide recognition, I can honestly say I am getting there. I have been receiving some really great praise on Amazon. Ages of Aenya stands at 4.5 Stars, with 10 reviews in, and 1-Star from my pet troll (hey, where you at? Miss you!). Some of my commentators are particularly eloquent:

 

At a deeper level, Ages of Aenya explores the conflicting human impulses for myth, religion, and scientific reason by mixing them together circling through the minds and discoveries of the characters he has created. There’s plenty to ponder here about what makes us human. The unashamed nakedness of the main characters strongly integrates the real and the metaphorical dimensions of honest and authentic humanity.

 

Thelana 2018

Every year, since 2003, I have commissioned a portrait of Thelana, my favorite heroine, and you don’t need heroin when you’ve got heroine. Sorry! Hal Glick used an advanced 3D modeling program for the 2018 rendition, and while I am less a fan of computer-generated art than what can be generated by the human hand, I can’t deny the beauty of this piece. Conveying the power and dignity of the nude form can be a challenge in modern day America, and as I have been discovering with the release of my book, it isn’t the feminists who give me trouble, but the men who cannot help but think of Thelana in terms of pornography. It has gotten to the point that I may abandon naked heroes altogether, not because I do not love the idea, but because this country has yet to grow out of its awkward teenage phase. Fortunately, I feel that Hal managed to steer clear of our lowest instincts with this piece. So, if you’re more than a halfman and can keep it in your pants, check out Thelana’s other portraits in my Deviant Art gallery.

 

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Thelana 2018

 

 

To Be Read: A Literary Podcast by Nick and Mars

It has become clear to me that people are moving away from blogs to podcasts and YouTube videos. I don’t blame them. While I still believe in the power of the written over the spoken word, humans are lazy, and are simultaneously being drowned by information. Who has time to sort through the noise? What makes writing so special is the depth and richness of information something like a novel can provide. No other media, film or otherwise, can fully convey the worlds contained within The Lord of the Rings, Harry Potter and A Game of Thrones. It is for this reason, precisely, you always hear people say “the book was better.” But the advantages of a blog are minimal. Still, I love fiction, and talking about fiction, and so my partner-in-crime, Mars, has started a literary podcast, with the aid of yours truly. Every week or so, we will be chatting up our favorite books and authors, and more importantly, we’ll be discussing current events in this crazy world we happen to be living in, and how those events are reflected and informed by literary works both classic and modern. And really, I am starting to think this is a simulation, or at the very least, that when the wave-function last collapsed, I barely slipped through to this reality . . . Ah, never-mind.

So be sure to hop on over to our new blog to hear Mars and I talk books at To Be Read.

 

Ages of Aenya Kindle Edition Now Available!!!

The long wait is over. If you’ve been living in another country, planet or plane of existence, and you have access to a smart phone or other e-reader, and if you are dying to explore Aenya, NOW is your chance!

Get Ages of Aenya Kindle Edition from Amazon for just $9.99. It’s the greatest thing since the replicating molecule.

THE AENYA BESTIARY: NEREID

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Nereid courtesy of Alexey Lipatov

 

The hippocampus, nereid, or “water horse,” as it is colloquially known, is an aquatic mammal resembling a dolphin and a horse. It makes its home in and around The One Sea, along rocky shorelines, where it dines on crustaceans hiding in the reefs. The species is few in number, bordering on extinction, and is very shy, keeping primarily to its own kind. Devoted fishermen can go their entire lives without seeing a nereid in the wild, but those that do regard it a good omen. Not surprisingly, most people living far from the Sea believe the nereid is a myth.

PHYSICAL ATTRIBUTES: The nereid possesses a hardened outer layer of fat, much like a whale or dolphin, and dorsal-like fins that can contract and expand. It can be blue, turquoise or aquamarine in hue. It does not have gills, and so cannot breathe underwater, but can hold its breath for up to thirty minutes. Most of its time is spent with its head above the surface, however, and its body submerged. Its fluke, or tail fin, can pivot like an arm. Because of its mammalian spine, the tail maintains a horizontal axis in the water to better facilitate locomotion. On land, its fluke turns vertically for balance and to eliminate drag. Males weigh in at 1500 to 2000 lbs., standing 8′ with frill extended, whereas females are considerably smaller, at about 1000 lbs. and 6’5.

LIFECYCLE: After an initial gestational period, wherein the placenta hardens into an egg, a pregnant nereid will lay its eggs, rarely more than two, in a nest of sand. The shells are bright blue-green in color, and glitter like luminescent coral. Bits of eggshell bring a high price in the bazaars of the coastal cities, and are sometimes worn as jewelry. When an egg hatches, the infant instinctively makes for the water, to seek others of its kind. Its average lifespan is forty years.

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Logo by Evan Kyrou

HISTORY: The nereid is thought to have thrived in the Ocean of early Aenya, before the Greater Moon, when the planet was wetter. The Cataclysm greatly diminished their numbers, but as more than 90% of other species perished, the nereid managed to eek out an existence along the shores of the last remaining sea. It is thought that their adaptability, to thrive on both land and sea, helped steer the species from extinction. Nereid are swift and intelligent, and have few predators, aside from merquid, who consider them a delicacy.

To the island natives of Aea, the nereid was divine, an avatar of Irene, goddess of love and peace. The founders of Hedonia, who were settlers from Aea, continued the tradition, holding the nereid in the highest esteem. It is the sacred animal of the Sea God, Sargonus, and killing a nereid remains a capital offense, though no record of such an act exists.

IN CAPTIVITY: Because of their rarity, grace and beauty, only the highest ranked members of Hedonian society are allowed ownership of the nereid, and even then, the animal must be maintained with utmost care. As a sign of their station, commanders of the legion will use them as mounts, never straying far from the coast, so that the animal not suffer from dehydration. Nereid-themed symbols appear throughout Hedonian society, on banners, crests and armor.

Demacharon, First Commander of the Legion, discovered a wounded foal while captaining his trireme. Its hide had been torn by merquid hunters, but he managed to nurse the animal to health. He named it Evening Tide, after the time when it was found. Believing that the gods had blessed him, Demacharon commissioned a special helm with a nereid crest. A decade later, Evening Tide carried him into battle against the merquid on the shores of Sarnath, days before the tsunami that breached the city’s outer walls.

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Learn more about the nereid in Ages of Aenya at www.nickalimonos.com!

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Thelana rides a nereid off the coast of Thetis.

Aenya Newsletter 12/20/2017

Whoo-Boy. A lot’s been going on, so let’s get to it.

 

Ages of Aenya

As you probably know, Ages of Aenya finally became available last month, and sales have been brisk. It’s great knowing people from as far as Europe and the UK have read the story and have had nothing but good things to say about it. I do have, unfortunately, my pet troll to deal with. Like any loyal pet, he was the first to go barking on Amazon, giving the book a 1-star review. Funny thing is, he knew it was out before I did! I am still amazed by this, that some people have nothing better to do than to watch you like a hawk, ready to pounce at the slightest opportunity. Oh well. What Mr. Troll doesn’t seem to understand is that I don’t care about critiques from people who haven’t actually read the book, and I know he hasn’t, as his “review” came minutes after it was posted to Amazon. Even if Mr. Troll were to have dished out the money to give an honest opinion, I still wouldn’t care, because a troll’s viewpoint is worthless, in that it is inherently biased. Either way, art is subjective. There are always going to be readers who think what I write is garbage, and others who feel the opposite. Just look at the love/hate situation for the recent Star Wars! The fact that a majority appears to love what I do means I’ve succeeded as a writer. My only goal now is to keep writing and to find more readers. That means learning something about marketing. At the moment, I am planning book signings, reaching out to fiction bloggers, and networking with other writers, like Michael Sullivan.

 

The End of An Era / A Bold New Direction

This blog is approaching its seventh year, and I am beginning to feel that much of what I have wanted to say has been said. In 2010, my head was bursting at the seams with ideas that had been bugging me since high school. I wanted to play Devil’s advocate with regards to cliches, melodrama, and ‘to say’ verbs. I wanted to throw in my two cents about popular fiction, like The Lord of the Rings, Harry Potter, and a A Game of Thrones, and to contrast these works with the lesser known classics that I love, like The Last Unicorn and The Never Ending Story, in an effort to understand what makes good storytelling, and how literary conventions change over time. I also longed to express my more unusual beliefs, for nudism in particular, but about religion also. The Writer’s Disease has been a great platform to share my life story, and to showcase my earlier work. Telling stories has been the most important thing in my life, and I needed to make certain that the world knew that, that nobody would mistake me for a guy who wakes up one day, in a mid-life crisis, deciding to be a novelist. At the very least, I feel that I’ve earned the respect that comes from three decades of dedication. Having a blog like this has helped keep my mind sharp, for when I was too busy with work and kids to labor over a novel. But now that much of what I have wanted to say has been said, with one teenager in the family and my other business largely self-sufficient, I am finally able to commit to my true passion. Despite how hectic my life has been, I am ashamed to admit that, since Aenya’s inception c. 1999, I have only managed to produce three full-length novels, with one of those, The Dark Age of Enya, mostly redone. I need to devote myself to Aenya, not just to maps and biographies, but to honest-to-goodness books. Hopefully, I should be shelling out a new Aenya book every two to three years, from now until I hit the grave. This doesn’t mean I am quitting this blog; only that you’ll be seeing less of me here, and more of me in my books.

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Book Review: C.S. Lewis’ The Magician’s Nephew

I started reviewing novels as a means to learn from them. In college, we studied the classics, Shakespeare and Melville and Hawthorne, and while I have always been a fan of long-dead authors, modern-day readers seem to prefer people from *this* century. In essence, I have had to unlearn what I learned in college, to abstain from the flowery, poetic language with which I was so accustomed, and so adored (see?). This is part of the reason I ended up rewriting The Dark Age of Enya, to appeal to a modern audience. Some of Xandr’s dialogue still retains elements of Homer. In 2010, The Lord of the Rings was on everybody’s mind, thanks to Peter Jackson, and so every new author was accused of being a Tolkien-wannabe. I was accused of this myself, which was particularly infuriating. Bookstores are saturated by imitators, R.A. Salvatore chief among them, and even George R.R. Martin has been influenced by the Anglo-European myths that informed Tolkien. But I have never felt the need to explore tales of elves, dwarves or dragons. The Aenya series, for better or worse, is rooted in Greek mythology, Edgar Rice Burroughs, H.P. Lovecraft, Robert Howard, and the 80’s cartoon show, He-Man and the Masters of the Universe. All writers borrow, but the great ones borrow from a much greater pool. Inspiration can be found anywhere, and from anyone, which is why I aim to become familiar with every fantasist out there, from Adams to Zelazny.

This leads me to C.S. Lewis. I picked up The Magician’s Nephew from a small bookstore in London. Being a literary nerd, I was excited by the prospect of reading an English novel in its original, un-Americanized form, but if there were any differences in dialects, I didn’t notice them.

The Magician’s Nephew is a simple adventure story, about two children, Digory and Polly, who are given magic rings (again, rings) that enable them to travel to other worlds. One of these worlds has been destroyed by an evil-witch, Queen Jadis. Eventually, they end up in empty space, in what becomes Narnia.

Anyone familiar with C.S. Lewis knows of his outspoken religiosity, and of the Christian-apologetic he penned, Mere Christianity. His faith heavily influenced his fantasy, and it shows, even in The Lord of the Rings, as Lewis and Tolkien often critiqued one another’s work. Tolkien rejected allegorical interpretations of his story, but it’s hard to ignore similarities between the Lady Galadriel and the Catholic Mary, the elves of Middle Earth and Biblical angels, Sauron (Melkor, specifically) and the Fallen Angel, Lucifer. Lewis’ faith, however, is much more pronounced, not quite beat-you-over-the-head blatant, ala A Wrinkle in Time, but apparent, nonetheless. Digory and Polly witness the creation of Narnia, as Aslan, the Lion, sings it into being. He creates the land, the mountains, the rivers, and the animals. Why use a lion to represent God, and not some other creature? Lewis doesn’t really say. I suppose he just really liked lions. Tolkien seems to have borrowed this idea when he described his own deity, Eru Illuvatar, singing not only Middle Earth into being (properly Arda), but Time itself, in The Silmarillion. Shortly after Narnia is born, the story ends, having established the setting and the villain, Jadis, for future books in the series.

The Magician’s Nephew is a well-written and a (bit too) straightforward tale, mostly for children. Through the Narnia series, Lewis helped introduce young people to aspects of his faith, much in the way I hope to introduce Aenya-readers to naturism, but in doing so, I am hard pressed to imagine him not finding the cracks in his beliefs, as his own story seems to fix many of the narrative issues found in the Bible. For instance, Aslan does not create Narnia’s Devil, Jadis, but rather, she invades and corrupts his creation from beyond, having come from another dimension. This makes a lot more sense than having an all-knowing, all-powerful entity bring Lucifer into being, whom YHWH must have known would turn against him. Put another way, if your own, made-up story makes more sense than what you believe actually, literally happened, I think you’d start to question your beliefs.

 

Star Wars: The Last Jedi

Dammit. Just when I thought I was done talking about Star Wars, Episode VIII comes along to stir up more controversy. YouTubers are calling The Last Jedi the best since or better than Empire, while others are just as passionately arguing to remove the movie from canon. As someone who studies storytelling for a living, I am continually fascinated by divergent reactions to books and movies. I want/need to know why fans love or hate things, because I work hard to entertain them. Try as I may, however, I know I will always garner haters, because art is subjective. And yet people cannot seem to accept this. Armchair critics will argue endlessly in defense of, or in opposition to, some viewpoint, as if their arguments could be proven. It reminds me of the gold/blue dress debacle. People were incensed that others could look at the same thing and not see what they did. The Last Jedi is a lot like that.

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I am one of the few on the planet who actually adored the Prequel films. And it has been hard for me to witness, from every corner of the web, the hatred spewed at something I so greatly enjoyed. When Episode VII was released, I was equally perplexed. Most people loved it. But Star Wars, for me, has always been about imagination, originality, and inspiration. The Force Awakens, while entertaining, felt like a retread of things familiar, a way to cash-in on nostalgia. It offered nothing new. Worse still, it seemed to retcon everything we loved about Return of the Jedi. Turns out, the Empire wasn’t destroyed with the second Death Star, nor when Palpatine was thrown down a reactor shaft by Darth Vader. It simply became the First Order. Palpatine was replaced by Snoke, Vader by Kylo Ren, and a brand new third Death Star was built. Luke is still the only Jedi in the galaxy and Han still works as a money-hungry smuggler. It forces one to wonder, what the hell was the point of Episode VI? Was anything accomplished?

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[SPOILERS AHEAD]

When Rian took the reins from JJ, I think he recognized these flaws, and did his damndest to rectify them. He immediately did away with Kylo’s Vaderesque helmet, turning Ren into a much more interesting character, and he killed off the Palpatine-wannabe, Snoke, preventing JJ from copying VI with IX. More importantly, Rian gave us a *new* story, and much like Lucas with his sequels and prequels, offered something new with regards to the Jedi and the Force, giving Luke, Rey and even Leia powers we’ve never seen before. This is what, for me, a good sequel needs to do. It needs to expand on what we know about a story we love.

So what’s my verdict? I liked it. It still lacks Lucas’ visual flair. There were few moments when my jaw dropped in awe. In this regard, George is an unparalleled director. But Rian gives us plenty of genuine surprises, and he does it the old-fashioned way, via storytelling. Mark Hamill gives his best performance as an old, crotchety, and conflicted Luke Skywalker, and I have never been such a fan of the character.

The previous film killed my excitement for Star Wars, but with Rian at the helm, the old spark is coming back. I am eager to watch the movie again, and can only pray that JJ (why him?) manages to conjure some originality with his next outing.

Ages of Aenya Holiday Special!

Whether you commemorate the birth of your savior or honor the Green Goddess of the Ilmar, ’tis the season to celebrate!

Starting today, I am offering Ages of Aenya at the DEEPLY discounted rate of $10.00. That’s down from $17.95! This is my GIFT to you!

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So if you’ve been sitting on the balustrade about taking your first step into Aenya, NOW is the time! Don’t know what to get the book lover in your life? Tired of waiting for George RR Martin to finally finish Winds of Winter? Itching to find some new fantasy series to lose yourself in? Explore Hedonia before the Sea washes it away. Lose yourself in the Great White Flat. Brave the pewter peaks of Northendell. Follow Thelana and Xandr as they brazenly hunt the Wildwood. But you’d best hurry, because this offer is only good for the holidays, and supplies are limited.

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VISIT AENYA

 

Ages of Aenya Launch Day!

It’s Ages of Aenya launch day everybody! Today, after ten years in the making, my book officially goes on sale on my new author site, nickalimonos.com! It’s available on Amazon, but you can get it directly from me at a discounted price, with free full color maps of Aenya. You can also find exclusive Aenya-related artwork, by Zhengyi Yu, Alexey Lipatov and Frans Mensink, at my store.

If you have been following this blog, have any interest in Aenya or in my naturist heroes, or if you simply love fantasy adventure, you can’t miss picking this up!

Welcome to the world of Aenya!

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GET IT NOW!

Aenya Newsletter 10/25/2017

Exciting news, everyone! My book came in the mail today! There’s just something magical, transformative even, when you get to hold your story in your hands for the first time. You know this is it, after more than a decade of writing and rewriting, the novel in its final form. Ages of Aenya is here.

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So where and when can you get it? Well, you can order it from Amazon.com, or next month from my new author site. I recommend cutting out the middle man and getting it directly from www.nickalimonos.com, as I can offer it at a discounted price, along with some Aenya inspired artwork! For all you e-readers out there, a Kindle version is in the works, and will be available next year.

Watch my YouTube video to learn more, or read the transcript below.

 

“Hi everyone! I’m very excited to show you what came in the mail the other day. It’s my book … Ages of Aenya!

I am really happy with the way this turned out. As you can see, it’s a hefty book. You can really do a lot of damage with this if you wanted. There’s Thelana on the cover, overlooking the city of Hedonia, with the pyramid of Sargonus in the background.

For years, people have been asking me ‘when is your book coming out?’ Well, now it’s here!

So, I really cannot wait to get this into your hands! It has everything lovers of fantasy adventure could ask for: fighting, monsters, exotic locations, romance, naked heroes, not-so-naked heroes; it’s been inspired by heroes like Conan and He-Man, and by writers like Edgar Rice Burroughs, HP Lovecraft, and Homer (if you love Greek mythology).

It should be available to order mid-November, or even sooner from Amazon.com. But I recommend you wait and get it from me at my new author site, nickalimonos.com, where I will be offering it at a discounted price, and where I’ll be selling some Aenya inspired artwork. I will be providing links to buy it from my other social media platforms as well, from aenya.net and my blog, writersdisease.net.

Some people have asked me about a Kindle version. The Kindle version will be available early next year, but I wanted to get the physical copy into people’s hands first. There’s just something magical about a physical book. It has weight. It has substance. You can display it on your shelf. Too much stuff these days is digital, on a screen, so I think it’s nice to have something you can touch and feel. And besides, that’s actually a theme of the story!

Lastly, I’d like to thank my beta readers, who’ve supported me all these years. They include David Pasco, Heather Zanitsch, Tobias Tholken, and my brilliant editor, Ava Coibion, whose insights helped make the book even better. And of course my wife, Hynda, who has always been there for me!

So again, I am really excited to get this book into your hands. It’s been my passion for over a decade and now it’s here. Finally. Thanks for watching.”

Aenya Newsletter 9/01/2017

Greetings, fans!

The question I am most asked about Aenya is the most obvious one: when the heck is the book coming out? All I can say is, be patient. I admit to being a bit slow, but it’s only because I abhor the thought of releasing anything but the very best possible work. I’d also like to point out that, as a struggling writer, I, among others, are embarking upon a new age of independence. The big publishers are bleeding money, and as a result, have become increasingly mired by conformity. Vampires. Zombies. Apocalyptic teenage romances. Gritty Game of Thrones wannabes. And when something like 50 Shades of Grey makes a bajillion dollars, we get inundated with bondage porn, and an entire new section at Barnes & Nobles. Now, I don’t really blame the booksellers for this. They are simply doing what they need to survive. As I put it in my new bio:

Since starting out on this journey, nearly three decades ago, the literary landscape has changed. My dream of dropping a manilla envelope at the post office, to have a cigar-smoking editor in New York scream with delight at having found the next great author, is just that, a dream. We are living in a time when bookstores are shutting down and publishers are going broke. People have more addictive things to do these days, like staring at their phones and Netflix. We may be living in the last days of the written word, before the novel goes the way of the play, and I am well aware that the demands of the writer are greater than ever. On the other hand, the stigma associated with self-promotion is quickly fading. This is largely due to things like Kickstarter and YouTube. We are fast discovering that, not only can an independent entertain us, but that they can often be more humorous, and more sincere, than what’s on TV. In the literary world, the advent of e-books has become a double-edged sword, delivering a lot of pulp but also, some pretty great out-of-the-box writing we might never have otherwise seen.

In other words, independents have an even higher bar to jump than your average published writer. The Aenya series must not only be as good as your Tolkien, Martin, Rowling clones, but superior.

OK, getting off my soapbox now.

This summer, I took the family to London, because frankly, it is the world’s capital of great fiction. Being the literary geek that I am, I was only too thrilled to pick up C.S. Lewis, and the late great Terry Pratchett in the original Queen’s English. I was also frothing at the mouth touring Oxford University. But it was in the British museum where I rediscovered my inspiration for Aenya.

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Hero fighting a centaur

This is part of the “Elgin marbles,” named after Lord Elgin, whom my people blame for “stealing” from the sculptures of the Acropolis complex. Greek politics aside, this frieze, which originally adorned the pediment of the Parthenon, shows a Greek hero, possibly Heracles, fighting a centaur, possibly Nessus. For those of you in the know, I first featured Nessus in The Dark Age of Enya. He is responsible for giving Xandr his scar. Unfortunately, I had to cut the scene from Ages of Aenya, but that doesn’t mean I retconned the story. Nessus makes appearance in The Princess of Aenya and will probably crop up in future novels. Notice, also, how the hero fighting the centaur is entirely naked. This is a big part of my heritage. The Ancient Greeks envisioned their heroes sans clothing. It was, for them, an ideal, what has come to be called, the heroic nude. This is something I have long tried to revive in modern culture, through my heroes, Xandr and Thelana.

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Hero fighting a guard

To be fair, you won’t find any women, naked or otherwise, in combative positions on the Parthenon, or anywhere else. But this had less to do with modesty and more to do with sexism, in that the Greeks could not conceive of women as heroes.

The following day, in the Tower of London, I made another inspiring discovery. Will you just look at that sword:

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Holy crap! It’s like 7′ long!

 

OK, this might not have been a real weapon, used by a real person in battle. The Brits, just like the Greeks, loved their legends. Either way, it compares to Emmaxis, the sword hauled around by Xandr, which I have long considered too big to be practical. But just like the heroic nude, the protagonist’s weapon is an ideal, a storytelling tradition, and I do not pretend to be a historian.

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OK, if this is just making you want the book more, I give you a sneak peak at nickalimonos.com, my upcoming author site. Once it goes live, you will be able to order the book directly from there, for yourself and your friends, and every person you’ve ever met, hopefully. Ages of Aenya will also be available on Amazon.com

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